Executive Headshot Portraiture - 2023

In today's digitally driven professional landscape, the significance of maintaining a curated collection of high-quality, publication-ready headshot photographs cannot be overstated for the modern Corporate Executive.

Professional Headshot Portraiture serves as the visual representation of an individual's personal brand, and plays a pivotal role in making a positive first impression across various platforms, including professional publications, websites, and social media platforms like LinkedIn. A selection of well-crafted headshots not only conveys competence and approachability, but also enhances one's professional credibility.

Investing in the skill and experience of a professional photographer is essential to ensure that these portraits effectively capture the individual's unique personality and convey a polished, authentic image. Professionals who leverage the quality of a professional photographer’s work are more likely to present themselves with confidence and professionalism, ultimately contributing to their success in networking, career advancement, and overall professional image.

When planning a headshot portrait session, it’s important to remember one single photo can’t cover all your bases, even as an individual first joining the workplace. While scheduling your portrait session, I consult with you to learn your branding needs, prospective uses, existing portraits and how new ones will compliment or replace them, and discuss with you ways to get the most out of your portrait session.  Based on your needs, I capture and deliver portraits that fit your current requirements, as well as additional crops and variations to fit additional uses, graphic design flexibility, and future-proofing for unforeseen display scenarios.

A comprehensive photoshoot with me will create, or add to your existing, catalogue of variations to select from for different use-case scenarios. A well-rounded portrait library includes multiple options of formal & informal poses, wardrobes, and expressions, and studio-backdropped & environmental locations; consulting with me can cover all of these bases in a single booking.

In 2023 I saw a great uptick in people getting their headshots updated, their portraiture libraries expanded, as well as first-timers capturing their first professional headshots - everyone can tell when you have an iPhone photo, even in “Portrait Mode;” you need the real thing to be taken seriously.

I’m looking forward to capturing and seeing more of you in 2024; click here to start planning and scheduling today.

Orchid: 2019

Happy International Women’s Day everyone!

Today I’m dedicating these photos of an orchid I gave to my mother for Mother’s Day two years ago - it’s currently blooming for the first time since I gave it to her, which is exciting to see!

It desperately needs to be repotted, but that has to wait until the blooms have fallen, and Spring is well underway. As a result, it’s not the healthiest, and actually had one bloom fall before it had a chance to open; hopefully it will thrive better in a new pot, although it may be another two years before you see blooms again, since it’s taken two years for it to bounce back from the last repotting (my bonsai took a whole year; I guess orchids are even slower!).

Jaguar: The Audition

There are many car brands out there, but few are truly iconic marquees with a rich heritage.  Some are obvious stand outs; Ferrari, Mercedes-Benz, my love Porsche.  But when you think England, there are two standouts; Aston Martin, the good-guy brand of 007 legend, and Jaguar, the British automaker who in recent years has made its name as the "bad guys'" transportation of choice.

Truly, it's good to be bad, and once again Jaguar has given the opportunity to experience its entire brand in one event, celebrating the release of the new XE, F-Pace, and F-Type SVR.  Several years ago I was invited to a similar event for the release of the F-Type and XFR-S, where the focus was on Jaguar's refinde driving capabilities.  In 2013 Jaguar let us autocross a 550HP XKR-S, and this year it was the new 340HP XE R-Sport.  I also drove the diesel models of the XE and F-Pace, which seemed to have a lot more ponies than their 180HP seemed to, thanks to the amount of torque on tap (although I'd still prefer the 360HP gasoline engine).  This all means that I've once again driven the entire Jaguar lineup except for the F-Type.

My takeaway from the F-Pace is that it's a fantastic driving crossover, with an exhaust note that will surprise anyone - SUVs simply don't sound like exotic sports cars, but this one does.  The interior was nice, but will probably get refined in a facelifted version several years from now.  The panoramic roof captures you in awe.  My only complaints are that the steering wheel is off-center, and the window controls are too high located on the door sill.  I do like the wide door sills though.

The real interesting part is that this time the focus was on being filmed for your own short film.  A small production suite, including MUAs, is on hand to film several cutscenes which are spliced into a pre-recorded action sequence, making you the bad guy who wins out over worse bad guys.  It's good to be bad.

The first step was to have makeup applied to even skintone and eliminate shine - this was the first time in my life wearing makeup - they even put me in mascara, but held short of lipstick.  Five cutscenes were filmed; three in an XE, and two on a soundstage.  The entire process is automated by software, which is outright fascinating to me.  Obviously I'm no actor, spending my time almost exclusive behind the camera, but the operators did give good direction, and even refilmed one clip, showing they are paying attention to the quality of recording (as much as possible with amateurs).

Jake was with me, and I later that day I brought my Dad back to come have the same fun.

Here's my finished product.

After the filming, which took less than 10min, test drives in the F-Pace and XE were enjoyed, followed by a painfully short track session in an XE R-Sport.  Only two measly laps - one to gain familiarity with the course (as much as you can in one lap), and one actually run with some gusto.  Barely any instructions were given by the driving instructor, which led to confusion, because this event was set up differently than the 2013 event (which was in stages, whereas this event was not), but I wasn't informed of this until I'd almost stopped the car on the course.  In summary, the track portion of this event was disappointing due to poor instruction and short duration - a stark difference between the 2013 event and this year's, though not surprising since the focus was on filming this year instead of track time (which was still short in 2013).

The whole event and resulting video was so much fun that upon leaving I asked the organizers if I could go grab my Dad to bring him over to surprise him with a bit of fun.  They were more than happy, so 2hrs later I watched him get filmed, run a few laps, and experience the Jaguar lineup.

I can't wait for next time!

Marketing and Product Photography

Recently I shared some of the portraiture I shoot for professional clients and commercial marketing campaigns.  But what about the other half of that equation?  In addition to portraiture and various press events, I photograph a large volume of product and storefront photography for marketing purposes at both Dulles International and Reagan National airports.

Last week on my Facebook Page, I shared a Behind the Scenes photo of a product shoot featuring Spartina 449 handbags.  These product photographs are quite similar to last year's Save Me, San Francisco Wine Company shoot, however this set is intended for use as dustwall graphics for upcoming stores during renovations periods, in addition to regularly ongoing marketing campaigns.

This sort of imagery continues inside many of the retailers; notably, Estée Lauder has an equally bright and modern storefront and display.

Both airports feature luxury brands.  Most have opened in the past year, and my photos are used by both airports for their promotion.

I am not limited to retailers either - restaurants and eateries get just as much attention.

All new concessions and restaurants have ribbon cutting ceremonies; oftentimes the grand opening is a major event, including guest speakers and performances.

Not only are my photos used for promotional campaigns, but at major events, placards summarizing newly opened and soon to open retailers are on display featuring my photos.

An airport wouldn't be an airport without newsstands and book retailers, and I take photos of them as well!

It's just further demonstration of why I love photographing for DC's local airports - everyone who asks me about my airport photography simply assumes all I do is photograph aircraft, but upon explaining the body of work above, they always leave surprised and better informed - it's a side of every airport that few people ever think about, yet is so often taken for granted.